List of films considered as New Hollywood

This is the list of films considered by various sources as part of the New Hollywood eras.

Background

The New Hollywood, Hollywood Renaissance, or American New Wave, was a movement in American film history from the mid-1960s to the early 1980s,[1] when a new generation of filmmakers came to prominence. They influenced the types of film produced, their production and marketing, and the way major studios approached filmmaking.[2] In New Hollywood films, the film director, rather than the studio, took on a key authorial role.[3]

The definition of "New Hollywood" varies, depending on the author, with some defining it as a movement and others as a period. The span of the period is also a subject of debate, as well as its integrity, as some authors, such as Thomas Schatz, argue that the New Hollywood consists of several different movements. The films made in this movement are stylistically characterized in that their narrative often deviated from classical norms. After the demise of the studio system and the rise of television, the commercial success of films was diminished.[3]

Successful films of the early New Hollywood era include Bonnie and Clyde,[4] The Graduate[5][6] and Easy Rider[7] while films whose box office failure marked the end of the era include New York, New York, Sorcerer, Heaven's Gate, They All Laughed, and One from the Heart.[8][9][10]

It is also the name of a 1990 NBC News special hosted by Tom Brokaw about the then "new" Hollywood industry of the 1980s and early 1990s making epic mainstream blockbusters, personal mid-budget fare and smaller independent efforts.[16][17][18]

Films of the movement

This is a chronological list of films that are generally considered to be "New Hollywood" productions:

1950s–1960s

1957–1966

1967–1969

1970s

1970–1971

1972–1973

1974–1975

1976–1977

1978–1979

1980s–1990s

1980–1982

1983–1987

1988–1990

1991–1993

1994–1996

1997–1999

2000s

2000–2001

Notes

Figures of the movement

Actors

Directors

Others

Notable studios associated with New Hollywood

References

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  184. ^ "Frederick Wiseman: The Choreography of Everyday Life". The Cinematheque. 2025-03-06. Retrieved 2025-08-20.|quote=(Titicut Follies is in the DNA of exemplars of New Hollywood and superhero film maudit alike, while a screening of Zoo in Yamagata circa 1993 is credited for almost single-handedly sparking a new wave of Chinese documentary filmmakers.)
  185. ^ Nye, Scott (2015-01-28). "Scott Reviews Stanley Donen's Two for the Road [Masters of Cinema Blu-ray Review]". Criterion Cast. Retrieved 2025-09-29. It's more in line with the European pictures of the time, and just as vital to the oncoming New Hollywood wave…
  186. ^ Williams, Craig (2015-01-19). "Blu-ray Review: Two for the Road". CineVue. Retrieved 2025-09-29. Two for the Road is a proto-American New Wave marriage drama that sizzles and bites.
  187. ^ Amato-Reame, Bruno (2019-08-20). "Up the Down Staircase (1967) review". Letterboxd. Retrieved 2025-09-24.
  188. ^ Biskind, Peter (2020-06-02). "Review: The uncanny Valley of the Dolls making-of tell-all". Los Angeles Times. eISSN 2165-1736. ISSN 0458-3035. OCLC 3638237. Archived from the original on 2020-06-17. Retrieved 2025-09-09.
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  195. ^ Caul (2021-05-25). "The Brotherhood (1968) review". Letterboxd. Retrieved 2025-09-22. This is definitely a part of the New Hollywood and came out only a year after the game changer that was Bonnie and Clyde.
  196. ^ Guarisco, Donald (2020-12-05). "The Brotherhood review". Letterboxd. Retrieved 2025-09-22.
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  217. ^ FROM THE ARCHIVES: The Legend of Lylah Clare – Cineaste Magazine ("Enter the new freedom of New Hollywood. There’s a lesbian on the premises. Rossella Forte (Rossella Falk), who was Lylah’s lover—along with many other men and women—is a pathetic attempt to open a discussion about the sexual complexities of Hollywood. If Rossella’s orientation is treated more directly than was previously permitted, the film is suffused by the homophobia of Old Hollywood. Rossella is not much more than a creepy threat to Elsa, for whom she becomes as hot as she was for Lylah, especially after Zarken bleaches the young actress’s hair Lylah’s shade of platinum, styles it as Lylah wore it, and dresses her in Lylah’s old gowns.")
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  959. ^ "1984: Choose Me". Forgotten Films. 2014-08-31. Retrieved 2025-09-21 – via The Pink Smoke. In some ways, Rudolph's film bridges the gap between the New Hollywood of Altman, Bogdanovich, and Hal Ashby and the New American Independent work of Jarmusch, Soderbergh, and Hal Hartley.
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  966. ^ Amani, Arya (2020-07-08). "After Hours review". Letterboxd. Retrieved 2025-09-30.
  967. ^ De Roxtra, James R. (2025-10-03). "Clue (1985) review". Letterboxd. Retrieved 2025-10-07.
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  969. ^ Montag, Michael (2022-01-12). "Mask (1985) review". Letterboxd. Retrieved 2025-10-03. …One foot in the old Hollywood and one in the New Hollywood.
  970. ^ McGowan, David (2025-06-23). "'If I can change': multigenerational cinematic franchises, retconning, and the spectre of Rocky IV". Screen. 66 (2). Oxford University Press: 151–177. doi:10.1093/screen/hjaf022. eISSN 1460-2474. ISSN 0036-9543. LCCN 91642840. OCLC 59715510. Retrieved 2025-09-25 – via Oxford Academic. It marks the box-office apex for the franchise…positioning the text as the epitome of New Hollywood and Reagan-era excess.
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  976. ^ a b c Johnson, Rich (2021-06-30). "Strange Frontier: NEAR DARK And The Birth Of The American Vampire". Fangoria. ISSN 0164-2111. OCLC 4618144. Retrieved 2025-09-25. Both Kathryn Bigelow's Near Dark (1987) and Robert Rodriguez's From Dusk Till Dawn (1996) harken back to the revisionist approach to filmmaking born out of New Hollywood.
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  993. ^ a b Roxborough, Scott (2018-09-11). "Why a James Toback Film Will Get a Festival Screening". The Hollywood Reporter. ISSN 0018-3660. OCLC 44653726. Retrieved 2025-09-25. "It felt like New Hollywood lite, so many things were happening, so many new directors coming in from all over, and it felt open to everyone," Neumann recalls. "It was easy to set up a festival. You could just call up people and they were interested."
  994. ^ Crumpler, David (2017-03-23). "John Waters to talk about Serial Mom at screening during Sleeping Giant Fest in Jacksonville". The Florida Times-Union. ISSN 0740-2325. OCLC 49633482. …And I really loved the idea that we had Old Dreamland [his early troupe of actors] and New Hollywood together.
  995. ^ Burrows, Randy (2023-09-09). "Se7en review". Letterboxd. Retrieved 2025-09-30. …New Hollywood indie directors of the 1990s influenced attitudes and style of filmmaking in Hollywood, Fincher did, too…
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